This site has limited support for your browser. We recommend switching to Edge, Chrome, Safari, or Firefox.

The Drawstring Hack

The weekend long read.
The final piece of my capsule summer collection is here! Over the past couple of months I’ve been slowly making a 6 piece capsule and sharing the process as I go. The idea originated from building a collection backwards to show how different the home sewing approach is to the fashion industry. I’ll be doing a full round up of the process next week so stay tuned for that.
When I sat down with my boxes of fabrics to decide on this mini collection I knew I had to use this amazing red dry wax cotton. I’ve had it for about a year but I had felt really tentative about using it. It’s such a punchy colour that I felt it really needed to be handled and designed with care to get a cohesive look.
I had originally planned to make a Potters Jacket in this fabric but over the weeks I slowly went off this pairing. I was pretty unmotivated to start this make until a hack idea clicked. I recently saw a drawstring detail on another garment that I absolutely loved. For me a design feature is at its best when it’s functional and the drawstring ticks the design and function box for me. I now realise why I wasn’t keen on the Potters Jacket idea - this fabric needed some texture and movement added to it and the gathers that the drawstring creates really helps to bring it to life.
Some of you might already be wondering how to make a waxed cotton jacket without an iron. As this waxed cotton was so lightweight and dry I felt comfortable using an iron with it. I tried ironing a small scrap to check if any residue was left on the iron plate and it passed the test. This goes against official waxed cotton advice so please check your fabric first and test it by ironing through another piece of fabric first.
This hack was a very simple one but it totally transforms the garment. Since I created this pattern 8 years ago I haven't played with it so I was overdue a shake up. I’m really happy with the outcome.
This email is pretty long and detailed so I hope it's interesting and will maybe spark an idea or two!
Hetty
x
______

Gallery

and hack details...

Cut: Over Shirt

Size: 14 - I'm usually a 10 but for this piece I sized up by 2 sizes. I think is crucial for making the drawstring feature work.

Adjustments: 

- I added about 20cm to the length

- Drawstring feature with brass eyelets

- Different patch pocket shapes

- Extra 1.5cm on the outer edge of the collar

Adding to the length

This pattern is a fairly square fit so it's an easy one to add length to. I simply chalked on an extra 20cm to the bottom which was the perfect length including a 2cm hem.

Back Loop

I made a bit of a feature out of the back yoke loop by making it slightly wider, longer and fitting it really close to the yoke. I pinned a couple of other variations including a contrast loop before choosing.

Front Button Stand

As this is a shirt pattern the front button stand is a 3cm double fold. I started to make it this way but it looked too narrow for the overall feel so I ironed it back out and made it wider with just a 1cm fold to finish it. (This will probably make more sense if you look at your pattern piece and imagine the folds). 

The main event...

The Drawstring

The main feature of this hack is the drawstring that goes around the waist. As this fabric was 150cm wide I simply cut long strips across the grain to make the channel and drawstring.

The Channel

The channel is 2.5cm wide but you could opt for a wider one if you'd prefer (remember to add 1cm on either side for the seam allowance).

The Drawstring

I cut the drawstring 4cm wide, folded into 4 equal parts and then stitched it closed. The finished width is 1cm. It only just squeezed through my eyelets so be aware of the width!

Eyelets

I used brass eyelets from Prym, the box comes with everything you need, you just need a hammer! If you didn't want to use eyelets you could achieve the same thing with a small button hole.

Drawstring Method

1. Press the seam allowances of the channel in at the top and bottom by 1cm

2. Press and stitch the drawstring so it's ready to attach

3. Try the jacket on and nip the garment in at your waist using your hands to find where you want the drawstring position. Mark it with a pin or chalk, then take the garment off and pin/chalk the channel position all the way around the inside

4. At this point you'll need to do your eyelets or button holes at the front for the drawstring to come out through. Add a tiny bit of fusing around the opening of the holes to strengthen them. 

5. Thread the drawstring through the exit points

6. Pin your channel into place and then stitch all the way around, enclosing the drawstring as you go

Contrast Fabric

With shirt making you sometimes have to stitch through around 7 layers of fabric. If your main fabric is quite stiff or thick it can be a good idea to use a lighter weight fabric for areas like plackets and under collars. 

I used a tencel twill in a contrast colour for the following pieces: the placket, inside yoke, under cuff (I split it into two), the under collar, under collar stand and inside neck loop. 

Topstitch Thread

A big part of what makes this garment work is the thick topstitch thread in the contrast colour. I have only started to play with thread thickness very recently and I’m hooked. It makes a piece look more bespoke, especially if you’re brave enough to choose a contrast colour. I highly recommend playing with heavier threads if you haven’t ventured already, it’s a lot of fun.

To use a heavy weight thread you just need a topstitch needle for your machine and you’re good to go. I recommend the Gutermann top-stitch threads however they do come at a higher price so it’s something I’ll only do for special garments.

Stitch Length

This is the first garment I've made where I've used stitch length as a design feature. I sew all of my garments with a stitch length of 2.5 but on this piece I chose a 4. It really helps the topstitching to sing and I think it's a genuinely a noticeable design feature.

Patch Pockets

I could go on forever but I'll round it off by mentioning that I went a bit freestyle on the patch pockets and made some new shapes. This is a really nice simple way to personalise a garment.

In summary...

I'm actually slightly obsessed with this piece. It feels like a statement garment that's totally wearable. I'll be taking some proper pictures of it on myself next week along with the summer capsule round up.

If you haven't made a shirt before I wouldn't recommend starting with this hack but it's a very achievable project to work up to. The 'Art of Shirt Making' is one of our most popular bundles and it's a great place to start building confidence in shirt making.

Follow the thread - Continue reading the summer capsule journey